randian | 燃点

In this talk, Michael Connor will revisit fundamental issues at stake in born-digital curatorial practice. >> Read more

[Live Performance] Tyler Coburn: NaturallySpeaking & [Talks & Forums] Thinking Post-Internet
 
 
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Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

After several months of space design and renovation, the exhibition will showcase the latest works of seven young artists: Cai Jian, Feng Zhixuan, Li Hanwei, Lu Boyu, Lu Pingyuan, Wang Ziquan, and Zhong Wei. >> Read more

AIKE is delighted to share aaajiao's solo exhibition "a'a'a'jiao: an ID" at How Art Museum (Shanghai) from April 27, 2019 until July 14, 2019. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

Tang Contemporary Art is proud to announce the opening of Yang Zhenzhong's solo exhibition “Surveillance and Panorama”on September 1, 2018, in the first space of Beijing. >> Read more

(中文) 作为一名多媒体艺术家，施勇（1963年生于上海）的创作涉及行为艺术、装置、影像和雕刻，其不拘一格，风格迥异的作品背后往往体现了其对文化、经济，以及艺术界的深刻剖析。 >> Read more

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more